Hiroyuki Takahashi (タカハシヒロユキ) is an absolute genius with no concern for limits. He has clearly established his aesthetic of over-the-top, playful, colorful, Japanese techonophilia, applying it throughout his images, on the character, for the character, and around the character. His compositions, although cluttered with aesthetic props and objects, are masterfully composed, making dynamic use of the simple/blank spaces within the chaos of each subject.
Other than his overall aesthetic, I deeply admire Takahashi for his use of patterns and vectors. I immediately noticed that he used a lot of patterns, but it took me some time to realize how much a part of his art they are. He has a set vocabulary of patterns (like with his object vocabulary) which he employs throughout all of his art, but where he applies them and how they work in each picture really varies. There are a few that seem to be his favorites, and they are as much a part of his art, to me, as his characters are. On the other hand, his vector lines and coloring/shading are handled with mechanical precision and mathematical perfection, making his aesthetic possible while multiplying its effect.
Outside of the aspect of Takahashi’s art and life shown here, there seems to be much more. From what I have seen of his personal taste for fashion and his live art performances, I have come to respect and admire Takahashi as an artist and a person.
I have very high hopes for Hiroyuki Takahashi, and hope he goes very far with his art. In many ways he reminds me of Takashi Murakami, and I could see him leaving a similar impact on the world as a Japanese artist.